Issam’s guidebook

Issam
Issam’s guidebook

Sightseeing

Jemaa el-Fna is 20 minutes walk from my place and 5-minute taxi ride that will cost you 10dh. Think of it as live, action channel, surfing: everywhere you look in the Jemaa el-Fna, Marrakesh’s main square, and open-air theatre, you’ll discover drama already in progress. The hoopla and halqa (street theatre) has been non-stop here ever since this square was the site of public executions around AD 1050 – hence its name, which means ‘assembly of the dead’. By 10 am, the daily performance is underway. Snake charmers blast oboes to calm hissing cobras; henna tattoo artists beckon to passersby; water-sellers in fringed hats clang brass cups together, hoping to drive people to drink. The show doesn’t peak until shadows fall and 100 chefs arrive with grills in tow, cueing musicians to tune up their instruments. This is a show you don’t want to miss – but stay alert to horse-drawn-carriage traffic, pickpockets and rogue gropers. Arrive early in the evening to nab prime seats on makeshift stools (women and elders get preference). Applause and a few dirhams ensure an encore. It's a bargain show, and critically acclaimed too: for bringing urban legends and oral history to life nightly, Unesco declared the Jemaa el-Fna a ‘Masterpiece of World Heritage’ in 2001. This square is the highlight of any Marrakech night. Musicians, dancers, and storytellers pack this square at the heart of the medina, filling it with a cacophony of drum beats and excited shouts.
97 lokal ang nagrerekomenda
Jemaa el-Fna
97 lokal ang nagrerekomenda
Jemaa el-Fna is 20 minutes walk from my place and 5-minute taxi ride that will cost you 10dh. Think of it as live, action channel, surfing: everywhere you look in the Jemaa el-Fna, Marrakesh’s main square, and open-air theatre, you’ll discover drama already in progress. The hoopla and halqa (street theatre) has been non-stop here ever since this square was the site of public executions around AD 1050 – hence its name, which means ‘assembly of the dead’. By 10 am, the daily performance is underway. Snake charmers blast oboes to calm hissing cobras; henna tattoo artists beckon to passersby; water-sellers in fringed hats clang brass cups together, hoping to drive people to drink. The show doesn’t peak until shadows fall and 100 chefs arrive with grills in tow, cueing musicians to tune up their instruments. This is a show you don’t want to miss – but stay alert to horse-drawn-carriage traffic, pickpockets and rogue gropers. Arrive early in the evening to nab prime seats on makeshift stools (women and elders get preference). Applause and a few dirhams ensure an encore. It's a bargain show, and critically acclaimed too: for bringing urban legends and oral history to life nightly, Unesco declared the Jemaa el-Fna a ‘Masterpiece of World Heritage’ in 2001. This square is the highlight of any Marrakech night. Musicians, dancers, and storytellers pack this square at the heart of the medina, filling it with a cacophony of drum beats and excited shouts.
Built at the end of XVI century, under the kingdom of the sultan Ahmed al-Mansur Saadi, and discovered only at the beginning of the 20th century, the mausoleum hosts the bodies of the Saadians in an ambience full of beautiful decorations made of cedar wood, marble and Zellije (Moroccan tiles). You can recognize the different tombs of Jews and Christians because of the presence of different markings and symbols. The good state of preservation of the Saadian Tombs may be attributable to the fact that they were sealed off by the sultan Moulay Ismail. At the time, Ismail was destroying architectural gems such as the Badi Palace, but some speculate that, when it came to the Saadian Tombs, his superstition got the better of him and he decided to hide rather than demolish them.
169 lokal ang nagrerekomenda
Mga Libingan ng Saadi
Rue de La Kasbah
169 lokal ang nagrerekomenda
Built at the end of XVI century, under the kingdom of the sultan Ahmed al-Mansur Saadi, and discovered only at the beginning of the 20th century, the mausoleum hosts the bodies of the Saadians in an ambience full of beautiful decorations made of cedar wood, marble and Zellije (Moroccan tiles). You can recognize the different tombs of Jews and Christians because of the presence of different markings and symbols. The good state of preservation of the Saadian Tombs may be attributable to the fact that they were sealed off by the sultan Moulay Ismail. At the time, Ismail was destroying architectural gems such as the Badi Palace, but some speculate that, when it came to the Saadian Tombs, his superstition got the better of him and he decided to hide rather than demolish them.
El Badi Palace, which means “The incomparable palace” was once the magnificent royal palace of the sultan Ahmad al-Mansur of the Saadi Dynasty. Having taken twenty five years to build, El Badi Palace was a lavish, grand sixteenth century complex of buildings with over 350 rooms, courtyards, gardens and a huge pool. Its construction was funded by a substantial ransom paid by the Portuguese after the Battle of the Three Kings. Around 1700 it was stripped of its ornamentation to furnish the palace of Alaouite Sultan Moulay Ismail in the new capital of Meknes. Unfortunately now is in ruins and inhabited by storks and stray cats, but the view from the terrace is still breathless. Visitors who get in through its gatehouse can view the remnant of much of this site. Some of the highlights include its sunken gardens, its subterranean passages and the Koubba el Khamsiniyya or “main hall”, which has fifty columns.
216 lokal ang nagrerekomenda
Palasyo ng El Badi
Ksibat Nhass
216 lokal ang nagrerekomenda
El Badi Palace, which means “The incomparable palace” was once the magnificent royal palace of the sultan Ahmad al-Mansur of the Saadi Dynasty. Having taken twenty five years to build, El Badi Palace was a lavish, grand sixteenth century complex of buildings with over 350 rooms, courtyards, gardens and a huge pool. Its construction was funded by a substantial ransom paid by the Portuguese after the Battle of the Three Kings. Around 1700 it was stripped of its ornamentation to furnish the palace of Alaouite Sultan Moulay Ismail in the new capital of Meknes. Unfortunately now is in ruins and inhabited by storks and stray cats, but the view from the terrace is still breathless. Visitors who get in through its gatehouse can view the remnant of much of this site. Some of the highlights include its sunken gardens, its subterranean passages and the Koubba el Khamsiniyya or “main hall”, which has fifty columns.
The Bahia Palace, whose name means "The beautiful", is an ornate and beautiful palace and a set of gardens, built in the late 19th century, by Si Moussa, grand vizier of the sultan, for his personal use, this palace would bear the name of one of his wives and intended to be the greatest palace of its time. There is a 2 acre (8,000 m²) garden with plants and flowers and 150 rooms opening onto courtyards. Though only a portion of the palace is open to the public, you can see the unfurnished, opulently ornamented harem that once housed Bou Ahmed’s four wives and 24 concubines. The quarters of his favorite, Lalla Zineb, are the most spectacular, with original woven-silk panels, stained-glass windows, intricate marquetry and ceilings painted with rose bouquets. Bahia’s story is an interesting one as a warlord Pasha Glaoui claimed the palace to entertain French who were so impressed that 3 years later, kicked out the Pasha Glaoui and turned the palace into the home of the protectorate’s résident-généraux.
7 lokal ang nagrerekomenda
Bahia Palace - Mga Kasaysayan na Pagdalaw
Rue Riad Zitoun el Jdid
7 lokal ang nagrerekomenda
The Bahia Palace, whose name means "The beautiful", is an ornate and beautiful palace and a set of gardens, built in the late 19th century, by Si Moussa, grand vizier of the sultan, for his personal use, this palace would bear the name of one of his wives and intended to be the greatest palace of its time. There is a 2 acre (8,000 m²) garden with plants and flowers and 150 rooms opening onto courtyards. Though only a portion of the palace is open to the public, you can see the unfurnished, opulently ornamented harem that once housed Bou Ahmed’s four wives and 24 concubines. The quarters of his favorite, Lalla Zineb, are the most spectacular, with original woven-silk panels, stained-glass windows, intricate marquetry and ceilings painted with rose bouquets. Bahia’s story is an interesting one as a warlord Pasha Glaoui claimed the palace to entertain French who were so impressed that 3 years later, kicked out the Pasha Glaoui and turned the palace into the home of the protectorate’s résident-généraux.
"You who enter my door, may your highest hopes be exceeded” reads the inscription over the entryway to the Ali ben Youssef Medersa, and after almost six centuries, the blessing still works its charms on visitors. It was founded during the period of the Merenids (14th century) by the sultan Abu al-Hassan and allied to the neighboring Ben Youssef Mosque, this Quranic learning center was once the largest in North Africa, and remains among the most splendid. The building of the madrasa was re-constructed by the Saadian Sultan Abdallah al-Ghalib (1557–1574). In 1565 the works ordered by Abdallah al-Ghalib were finished, as confirmed by the inscription in the prayer room. Sight lines are lifted in the entry with carved Atlas cedar cupolas and mashrabiyya (wooden-lattice screen) balconies. The medersa’s courtyard is a mind-boggling profusion of HispanoMoresque ornament: five-colour zellije (mosaic) walls, stucco archways, cedar windows with weather-worn carved vines, and a curved mihrab (eastern-facing niche) of prized, milky-white Italian Carrara marble. The carvings contain no representation of humans or animals, as required by Islam, and consist entirely of inscriptions and geometric patterns. It hosted 130 student dormitory cells cluster around the richly decorated courtyard, for a total of about 900 students. One of its best known teachers was Mohammed al-Ifrani (1670-1745). Closed down in 1960, the building was refurbished and reopened to the public as a historical site in 1982.
273 lokal ang nagrerekomenda
Paaralan ng Anak ni Jose
Rue Assouel
273 lokal ang nagrerekomenda
"You who enter my door, may your highest hopes be exceeded” reads the inscription over the entryway to the Ali ben Youssef Medersa, and after almost six centuries, the blessing still works its charms on visitors. It was founded during the period of the Merenids (14th century) by the sultan Abu al-Hassan and allied to the neighboring Ben Youssef Mosque, this Quranic learning center was once the largest in North Africa, and remains among the most splendid. The building of the madrasa was re-constructed by the Saadian Sultan Abdallah al-Ghalib (1557–1574). In 1565 the works ordered by Abdallah al-Ghalib were finished, as confirmed by the inscription in the prayer room. Sight lines are lifted in the entry with carved Atlas cedar cupolas and mashrabiyya (wooden-lattice screen) balconies. The medersa’s courtyard is a mind-boggling profusion of HispanoMoresque ornament: five-colour zellije (mosaic) walls, stucco archways, cedar windows with weather-worn carved vines, and a curved mihrab (eastern-facing niche) of prized, milky-white Italian Carrara marble. The carvings contain no representation of humans or animals, as required by Islam, and consist entirely of inscriptions and geometric patterns. It hosted 130 student dormitory cells cluster around the richly decorated courtyard, for a total of about 900 students. One of its best known teachers was Mohammed al-Ifrani (1670-1745). Closed down in 1960, the building was refurbished and reopened to the public as a historical site in 1982.
It was built during the XII century by the first sovereign of the Almohads family. This minaret which is the expression of an Hispano-Moresque architecture is 77 meters tall and has 3 balls on the top which are the symbols of Water, Earth, and Fire. Five times a day, one voice rises above the Jemaa din in the adhan (call to prayer): that’s the muezzin calling the faithful from atop the Koutoubia Mosque minaret. Excavations confirm a longstanding Marrakshi legend: the original mosque built by Almoravid architects wasn’t properly aligned with Mecca, so the pious Almohads levelled it to build a realigned one. When the present mosque was finished by Sultan Yacoub el-Mansour, 100 booksellers were clustered around its base, hence the name, from kutubiyyin, or booksellers. While the Koutoubia serves a spiritual purpose, its minaret is also a point of reference for international architecture. The tower is the prototype for Seville’s La Giralda and Rabat’s La Tour Hassan, and it’s a monumental cheat sheet of Moorish ornament: scalloped keystone arches, jagged merlons (crenellations), and mathematically pleasing proportions. The minaret was sheathed in Marrakshi pink plaster, but experts opted to preserve its exposed stone in its 1990s restoration. As with most mosques in Morocco, non-Muslims are not allowed inside
118 lokal ang nagrerekomenda
Moske ng Koutoubia
Avenue Mohammed V
118 lokal ang nagrerekomenda
It was built during the XII century by the first sovereign of the Almohads family. This minaret which is the expression of an Hispano-Moresque architecture is 77 meters tall and has 3 balls on the top which are the symbols of Water, Earth, and Fire. Five times a day, one voice rises above the Jemaa din in the adhan (call to prayer): that’s the muezzin calling the faithful from atop the Koutoubia Mosque minaret. Excavations confirm a longstanding Marrakshi legend: the original mosque built by Almoravid architects wasn’t properly aligned with Mecca, so the pious Almohads levelled it to build a realigned one. When the present mosque was finished by Sultan Yacoub el-Mansour, 100 booksellers were clustered around its base, hence the name, from kutubiyyin, or booksellers. While the Koutoubia serves a spiritual purpose, its minaret is also a point of reference for international architecture. The tower is the prototype for Seville’s La Giralda and Rabat’s La Tour Hassan, and it’s a monumental cheat sheet of Moorish ornament: scalloped keystone arches, jagged merlons (crenellations), and mathematically pleasing proportions. The minaret was sheathed in Marrakshi pink plaster, but experts opted to preserve its exposed stone in its 1990s restoration. As with most mosques in Morocco, non-Muslims are not allowed inside
The subtropical Majorelle Garden is located in the heart of Gueliz, Hivernage. It is one of the most delightful and stunning spots within this red walled city. Although the Majorelle Garden has existed in Morocco for decades, it was only made famous abroad when the Majorelle Garden’s former owner and care-taker, fashion designer Yves Saint Laurent, featured it in the 1997 Chelsea Flower Show in London. Since this time, many have journeyed to Morocco just to see the Majorelle Garden. The Majorelle and its buildings are embellished by a unique shade of cobalt blue - the featured color in the garden. The garden is 12 acres in size and radiates with multi-colored bougainvillea, rows of bright orange nasturtiums, pink geraniums, bold pergolas and concrete paths that exist in shades of pastel pink, lovely lemon and apple green. With the garden there are the over fifteen different species of birds, such as turtle doves, bulbuls and house buntings. With its beautiful groves of bamboo, date palms and various lily covered pools, it is little wonder why these marvelous creatures choose Majorelle Garden as their home.
585 lokal ang nagrerekomenda
Hardin ng Majorelle
Rue Yves Saint Laurent
585 lokal ang nagrerekomenda
The subtropical Majorelle Garden is located in the heart of Gueliz, Hivernage. It is one of the most delightful and stunning spots within this red walled city. Although the Majorelle Garden has existed in Morocco for decades, it was only made famous abroad when the Majorelle Garden’s former owner and care-taker, fashion designer Yves Saint Laurent, featured it in the 1997 Chelsea Flower Show in London. Since this time, many have journeyed to Morocco just to see the Majorelle Garden. The Majorelle and its buildings are embellished by a unique shade of cobalt blue - the featured color in the garden. The garden is 12 acres in size and radiates with multi-colored bougainvillea, rows of bright orange nasturtiums, pink geraniums, bold pergolas and concrete paths that exist in shades of pastel pink, lovely lemon and apple green. With the garden there are the over fifteen different species of birds, such as turtle doves, bulbuls and house buntings. With its beautiful groves of bamboo, date palms and various lily covered pools, it is little wonder why these marvelous creatures choose Majorelle Garden as their home.
The origins of Le Jardin Secret hark back to the second half of the sixteenth century, when the Saadian Sultan Moulay ‘Abd-Allah commenced upon the urbanization of what is now the Mouassine district. However, in common with many important buildings of Marrakech, the palace, which stood on the grounds of Le Jardin Secret, was destroyed toward the end of the seventeenth century, after the decline of the Saadian dynasty. Towards the middle of the nineteenth century the kaid al-Hajj Abd-Allah U-Bihi came into possession of the land, on which, fully respecting the layout of the Saadian era complex, a new palace was built. Marrakech enjoyed a substantial development in this period, which favoured the construction of gardens and rich mansions. Shortly after, the kaid U-Bihi, who was viewed suspiciously by Sultan Muhammad IV because suspected of power intrigues, was killed with poisoned tea. The property then passed into the possession of the qadi Moulay Mustapha, a great judge who enjoyed close relations with the ruling family. In 1912, he exchanged the palace with the manor of Fez of alHajj Muhammad Loukrissi. The latter, the former head of the watchmakers’ guild in Marrakech, had been elected in 1908 as chamberlain of Sultan Moulay ‘Abd-al-Hafiz. When, in 1912, the Sultan was exiled, al-Hajj Muhammad Loukrissi moved into this palace, where he lived until 1934, the year of his death. The property then ceased to be maintained properly, and soon fell into a state of disrepair. The idea of restoring the building complex and opening it to public took root in 2008, and Le Jardin Secret came into being eight years later.
116 lokal ang nagrerekomenda
Ang Lihim na Hardin
121 Rue Mouassine
116 lokal ang nagrerekomenda
The origins of Le Jardin Secret hark back to the second half of the sixteenth century, when the Saadian Sultan Moulay ‘Abd-Allah commenced upon the urbanization of what is now the Mouassine district. However, in common with many important buildings of Marrakech, the palace, which stood on the grounds of Le Jardin Secret, was destroyed toward the end of the seventeenth century, after the decline of the Saadian dynasty. Towards the middle of the nineteenth century the kaid al-Hajj Abd-Allah U-Bihi came into possession of the land, on which, fully respecting the layout of the Saadian era complex, a new palace was built. Marrakech enjoyed a substantial development in this period, which favoured the construction of gardens and rich mansions. Shortly after, the kaid U-Bihi, who was viewed suspiciously by Sultan Muhammad IV because suspected of power intrigues, was killed with poisoned tea. The property then passed into the possession of the qadi Moulay Mustapha, a great judge who enjoyed close relations with the ruling family. In 1912, he exchanged the palace with the manor of Fez of alHajj Muhammad Loukrissi. The latter, the former head of the watchmakers’ guild in Marrakech, had been elected in 1908 as chamberlain of Sultan Moulay ‘Abd-al-Hafiz. When, in 1912, the Sultan was exiled, al-Hajj Muhammad Loukrissi moved into this palace, where he lived until 1934, the year of his death. The property then ceased to be maintained properly, and soon fell into a state of disrepair. The idea of restoring the building complex and opening it to public took root in 2008, and Le Jardin Secret came into being eight years later.
The Menara gardens are gardens located to the west of Marrakech, at the gates of the Atlas mountains. They were established in the 12th century (c. 1130) by the Almohad ruler Abd al-Mu'min. The name Menara derives from the pavilion with its small green pyramid roof (menzeh). The pavilion was built during the 16th century surrounding an artificial lake, the point of confluence of a canal system, used to irrigate the surrounding gardens and orchards. The basin is supplied with water thanks to an old hydraulic system which conveys water from the mountains located approximately 30 km away from Marrakech. The garden has a wonderfully tranquil location set amidst olive groves and with the backdrop of the Atlas Mountains.
102 lokal ang nagrerekomenda
Mga Hardin ng Menara
102 lokal ang nagrerekomenda
The Menara gardens are gardens located to the west of Marrakech, at the gates of the Atlas mountains. They were established in the 12th century (c. 1130) by the Almohad ruler Abd al-Mu'min. The name Menara derives from the pavilion with its small green pyramid roof (menzeh). The pavilion was built during the 16th century surrounding an artificial lake, the point of confluence of a canal system, used to irrigate the surrounding gardens and orchards. The basin is supplied with water thanks to an old hydraulic system which conveys water from the mountains located approximately 30 km away from Marrakech. The garden has a wonderfully tranquil location set amidst olive groves and with the backdrop of the Atlas Mountains.
Founded in 1558 by Moulay Abdallah, the Mellah district was designated as the Jewish quarter in Marrakech. At the time of the Spanish religious wars, Jewish refugees were escaping the country, and were offered this little piece of security by the Sultan. Morocco’s noteworthy history includes a long period where Muslim and Jewish settlers accepted each other’s differences and worked to bring their businesses to fruition. The Mellah in Marrakech refers to the area where Jews resided. Living in their own separate quarter meant that they were protected in the Kasbah walls, more easily watched and sure enough, taxed by the government. The Jews formed lucrative careers working as the financial representatives of bankers, tailors, and even the jewelers of the area. Mellahs in Morocco, especially by the mid-1500s became their own small cities, which included synagogues, outdoor markets, fountains, and balconies overlooking the tight alleyways and streets. If you’d like to explore the Mellah, then you can enter through the Place des Ferblantiers, which was once referred to as the Place de Mellah. If you are having a hard time finding the area, look for the tin workers who now line the outer edge of the square souk. In this area, you’ll also be able to visit Place Souweka, which is a fountain that marks the center of the quarters. When walking through the souk, attempt to stay on the main passageways through and you’ll come upon the Jewish Cemetery and shrines that are still visited today. The synagogues are also along this same route and the main ones are called the Lazama and El Fasiines. The Mellah of Marrakech is an interesting area that tells a story of Morocco’s past, a country that has been open to those of different cultural and ethnic backgrounds for centuries.
30 lokal ang nagrerekomenda
Mellah
30 lokal ang nagrerekomenda
Founded in 1558 by Moulay Abdallah, the Mellah district was designated as the Jewish quarter in Marrakech. At the time of the Spanish religious wars, Jewish refugees were escaping the country, and were offered this little piece of security by the Sultan. Morocco’s noteworthy history includes a long period where Muslim and Jewish settlers accepted each other’s differences and worked to bring their businesses to fruition. The Mellah in Marrakech refers to the area where Jews resided. Living in their own separate quarter meant that they were protected in the Kasbah walls, more easily watched and sure enough, taxed by the government. The Jews formed lucrative careers working as the financial representatives of bankers, tailors, and even the jewelers of the area. Mellahs in Morocco, especially by the mid-1500s became their own small cities, which included synagogues, outdoor markets, fountains, and balconies overlooking the tight alleyways and streets. If you’d like to explore the Mellah, then you can enter through the Place des Ferblantiers, which was once referred to as the Place de Mellah. If you are having a hard time finding the area, look for the tin workers who now line the outer edge of the square souk. In this area, you’ll also be able to visit Place Souweka, which is a fountain that marks the center of the quarters. When walking through the souk, attempt to stay on the main passageways through and you’ll come upon the Jewish Cemetery and shrines that are still visited today. The synagogues are also along this same route and the main ones are called the Lazama and El Fasiines. The Mellah of Marrakech is an interesting area that tells a story of Morocco’s past, a country that has been open to those of different cultural and ethnic backgrounds for centuries.

Food scene

This labyrinth-like market is a place to wander around and let your senses be assaulted by the sights, smells and sounds. Prepare yourself to bargain if you feel like shopping. Marrakech is a shopper’s nirvana! A place where some of the finest hand crafted goods won’t cost you the earth and, to add to the paradisaical tone, you’re actively expected to bargain, what more could one ask for? If this sounds like your idea of consumer heaven then head direct for the souks in the North of the Medina, where you will find different artisans fashioning all manner of products. Some markets to look out for include the leather market and the carpet market where you can pick-up high quality hand-woven rugs. For sheer interest alone, and to watch real craftsmen at work, be sure to wander through the blacksmiths’, dyers’ and carpenters’ markets. If the bustle of the souk gets to be too much, and you’re all bartered out, then head over to the Ville Nouvelle where the shopping experience comes air conditioned boutique style. Here you will find exclusive designer wear and one-off original items, artisan and antique shops and warehouse outlets.
Medina of Marrakesh
This labyrinth-like market is a place to wander around and let your senses be assaulted by the sights, smells and sounds. Prepare yourself to bargain if you feel like shopping. Marrakech is a shopper’s nirvana! A place where some of the finest hand crafted goods won’t cost you the earth and, to add to the paradisaical tone, you’re actively expected to bargain, what more could one ask for? If this sounds like your idea of consumer heaven then head direct for the souks in the North of the Medina, where you will find different artisans fashioning all manner of products. Some markets to look out for include the leather market and the carpet market where you can pick-up high quality hand-woven rugs. For sheer interest alone, and to watch real craftsmen at work, be sure to wander through the blacksmiths’, dyers’ and carpenters’ markets. If the bustle of the souk gets to be too much, and you’re all bartered out, then head over to the Ville Nouvelle where the shopping experience comes air conditioned boutique style. Here you will find exclusive designer wear and one-off original items, artisan and antique shops and warehouse outlets.

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Best practices to save money and have a wonderful trip

I was born and raised in Marrakech which makes me knows all Marrakech secrets and the best practices to save money and make your trip more wonderful.
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Taxis In Marrakech

First Taxis. in Marrakech and Morocco, in general, there are two types of taxis, small that only carry Three people and they can take you anywhere in the city, big taxis can carry up to 6 people and mostly used to take you to far places out of the city. for small taxi which you will be using a lot to move around the city make sure to tell the taxi driver to turn on the counter and only pay him the price accourding to the counter. most taxis driver will tell you an upfront price 5 to 10 times of the original price. as for big taxis make sure to negotiate to price and always cut the price 50%
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always negotiate and cut the price to half

in Morocco and Marrakech, when you try to buy something from the old medina always make sure to negotiate and cut the price to half if they are okay with then pay them if not just try to walk away and most of the times they will come after you to pay them the half price.
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FOOD PRICES

Always ask for a menu and only pay what is on the menu. in some places where you want to buy street food there is no menu and if the price is not reasonable than make sure to negotiate. in some places they will try not to give you the menu so they can charge you more